Another old work from DoPe (me, Francesco Perratone and Paolo Dolci, a great painter).
A more “planetary” approach to the spheres series, a living planet seen from outer space.
The idea of the still as a work by itself comes from a short animation we’ve done. once an “interesting” frame has been identified the work has been detailed a bit more, recalculated at much larger resolution and a bit of post production has been added.
Another work I’ve done some time ago as DoPe, starting from an oil painting by Paolo Dolci.
Also here, I used the original painting’s colors and textures to build the shapes and the materials on the creature, a living sphere/planet…
The high quality large print shows a lot of interesting details were to lose yourself wandering around, the idea for a still image comes from a short animation you can see here.
A work I’ve done some time ago as DoPe, starting from an oil painting by Paolo Dolci.
The high quality large print shows a lot of interesting details were to lose yourself wandering around the “planet”.
The idea for this still image comes from a short animation you can see here.
Another work by DoPe, at the very beginning there was an oil painting by Paolo Dolci. Digitalized and used to create the creature above with various digital tools.
The fun part has been the fine tuning of the, almost unexpected, skin-like surface of this organic planet….
The work “Humans” has been published on Sedition Art, now you can see the final animation, edition is limited to 50: bit.ly/FPHumans
The work is composed by a representation of the de-evolving System “offered” to the viewers and an organic mutant geometry: the citizens/people, collaborating, fighting and organizing themselves in an hypnotic ballet.The discrete time unit is based on decades and centuries, forming a time-lapse harvesting its data from a range lasting thousands of years.
Music by Leonardo Ceralli (Facebook page)
A work by DoPe, collaboration between Francesco Perratone and Paolo Dolci.
“Shapes and colors come from abstract oil paintings, they’re mixed and elaborated, transformed in a tridimensional surface, the process is aimed at exalting the materic qualities, while going towards an evolution into something new…”
Some stills of another work in progress. The original artwork is “Autoritratto satanico” (satanic self-portrait), a xylography by Sandrun (nom de plume of Franceschino Barbera, 1927-1970).
I’m going towards the production of a work (or series, maybe?) that will capture and exalt the great eyes and gaze, while adding some dynamic elements and a gritty, materic look.
